Hollingsworth was born in Harlem to Barbadian immigrants. While still a teen, he worked after school as an artist assistant at Holyoke Publishing Company for Catman Comics. Hollingsworth continued with his own syndicated comics in the early 1950s while attending the College of the City of New York. He decided later to concentrate on fine art and began painting in an abstract expressionist style.

Hollingsworth tended to work in themes - working out his ideas in a variety of media. One of his themes was The Women. “I take my hat off doubly to the Black woman,” he was quoted in an interview published in Black Art, An International Quarterly (Fall 1977). “I wanted people to recognize the pride of women, the spiritual quality of women, the sacrifices of women.” Hollingsworth’s first one-man show, Exodus, was held at the Ward Eggleston Gallery, NY in 1961. He produced paintings, drawings, and collages both abstract and representational in style. Among Hollingsworth’s series were Cry City (1963-65), The Prophet Series (1970), and the Subconscious Series. He was a member of Spiral, along with other notable African American artists like Romare Bearden, Charles Alston, Earl Miller, Norman Lewis and Hale Woodruff.

Throughout his long and varied career, Hollingsworth also created and hosted the television show, You’re Part of Art on NBC in 1970, was an instructor at the Art Student’s League, and a professor at Eugenio Maria de Hostos Community College of the City University of New York.

Alvin C. Hollingsworth: And All That Jazz is on view at the Hudson River Museum now through April 27, 2025.

1950-1960

oil on board

14-1/2 x 16 inches

signed


 
“…when ‘Spiral’ came along, I really got involved. I had grown up in a gang era. Bopping clubs and fighting chiefs were everywhere. And it seemed to me that the pressures on minorities stemmed at least partially from urbanism – the crowding, the competition, the slums, the situations and conditions that the city creates. I felt that I could make a contribution through my feeling about the city.”
— Hollingsworth, Black Art An International Quarterly, 1977
 
 
 

1970s
acrylic, oil, and mixed media collage on board
24 x 30 inches
signed